Hearing Other by George Quasha (preverbs)

$19.00

Alive in George Quasha’s Hearing Other there is amazement by shuttered numerals that blaze, that seep beyond dialectical margins as congregated emblems, always “interpointedly aware.” — Will Alexander

In Quasha’s Hearing Other we find an alluring continuation of his magnificent Preverbs, in which, “Story’s language first and takes learning for a ride.” Quasha’s sentences shimmer like utterances before perception. Here we encounter the torqued aphorism, like a linguistic cocktail with an added twist—we did not know we needed.  The alacrity of Hearing Other reminds me that “being inquires razoring”—as human tendencies to pontificate are sharply considered. If “actual syntax is viewer activated,” then this work offers to us the hope that, “A new world comes to be syllable by syllable.” — Laynie Browne

Description

Hearing Other, by George Quasha   (on sale through February 15, 2026)
Preverbs
ISBN 978-1-946104-72-4 / $19 US
Book Design by Susan Quasha
Cover Design by Charles Alexander

Readers, you’re in for an alphabetic shakedown. Every live matter shouts out, yet it never feels other than generous and sweet. Somehow—I take it as a miracle—the inner explosive view of the world is utterly nonviolent, for Quasha teaches us that “peace includes apparent turbulence.” That’s how and why, in the poems, we are hearing others. Every poem has an angular angel presiding over—and protecting—senses of the expansive self. The whole picture pictured by these poems gives you more than you have to give. We’re all bigger than the sum of its preverbial parts. — Al Filreis

After years of engaging with George Quasha’s expanding series of preverbs and his poetics of axial language, time, space, and movement, I have decided they are kin to the Gateless Gate and Blue Cliff Record, texts that lie at the core of the Rinzai school of Zen Buddhism. Like the koans in those collections, the preverb interrupts and short-circuits the linear and the customary; its lexicon and syntax disallow our familiar certainties and closures, and in the moment of its saying it offers surprise, discontinuity, and illumination. “It starts hearing the day listening through you to your life as you see it.” — Elizabeth T. Gray, Jr.

I’m still swimming in this book when I come out of the water and sit in its sun.   What’s to say when you know there’s nothing like Being there?  Perhaps “Make me thy lyre, even as the forest is.” Or “Be thou me, impetuous one.” That’s Being “dictated from Eternity,” the blackbird whistling.  And just after?  That’s Some One Being called to “the fadeaway ways of living beauty, whose flight is momently arrested by the artful ways of verse failing to arrest it.” — Jerome McGann

Additional information

Weight1 lbs
Dimensions9.5 × 7 × 1 in

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