Deathwatch for My Father by Hank Lazer
Deathwatch for My Father by Hank Lazer

A handsewn chapbook with letterpress cover, DEATHWATCH FOR MY FATHER is a long poem, meditation, and memorial from the poet to his dying father in which Lazer attempts to use the thing he knows, language, in order to reconcile the thing he can’t know, death: “my mind inclines / to ask and what / is it perhaps to / turn your death into / linguistic inquiry / a somewhat familiar / terrain.”

Hank Lazer has published seventeen books of poetry, including N18 (COMPLETE) (Singing Horse Press, 2012), Portions (Lavender Ink, 2009), THE NEW SPIRIT (Singing Horse Press, 2005), ELEGIES & VACATIONS (Salt Publishing, 2004), and Days (Lavender Ink, 2002). He is Associate Provost for Academic Affairs and Professor of English at the University of Alabama, where he is Executive Director for Creative Campus and edits the Modern and Contemporary Poetics Series for the University of Alabama Press.

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DIESEL HAND by Nico Vassilakis
DIESEL HAND by Nico Vassilakis
CHAX PRESS announces: DIESEL HAND, by Nico Vassilakis
Diesel Hand is a letterpress book, with visual poems by Nico Vassilakis, accompanied by the author’s text titled “Picabia and Me.”
Foreword from a Note by Karl Young, in which the process of making the work is described, as Young indicates how Vassilakis “takes Francis Picabia’s work as the base for a set of verbal and visual poems. He has surrounded Picabia’s diesel images with text, carrying on an appreciation, a debate, and a critique of Picabia and the drawings. Vassilakis disposes his text around the machine drawings, suggesting simultaneously the mechanics of type and the organic and ephemeral nature of speech. He continues the hard and soft dialectic of machine and word.”
9 such visual/verbal works, each in two colors (4 colors entirely as one moves through the book) are in the book, as well as pages with Vassilakis’s texts. Letterpress printing from polymer plates and foundry metal type, the fonts used are Bernhard Gothic and Gill Sans.
Just 60 copies printed on Vandercook Press and bound by hand in two signatures, with a pattern of stitching on the book spine interspersed by the letters of the word “DIESEL.” Papers used are Rives and French. Each individual copy is press numbered.
Price: $122
Sale Price Only Available Until February 1 2018: $100
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Don’t Forget to Breathe by Andrew Levy
Don’t Forget to Breathe by Andrew Levy

PubDate: 8/2012

Don't Forget to Breathe

Andrew Levy

ISBN: 9780925904676

Price: $16.00

Genre: Poetry

Pages: 112

“Andrew Levy's DON'T FORGET TO BREATHE is truly only figuring out how to stay free.”—Lissa Wolsak

“Somewhere in here the poet says 'you can call me Nothing / Which is something,' thereby compressing the crisis related in this book to its bluntest formulation. Who or what is the residue that causes these words to occur? What do these questions, jokes, propositions, slogans, fragments, rationalizations constitute? No answer is forthcoming: anatomies of 'absurdities / Spewing forth / From capital' disintegrate as they coalesce, disposing themselves along an eroding continuum, where each step taken is a step back to an abandoned future. Although from here it's hard to see forward, some day the sticks will dry out, giving us a chance to make a fire, in whose heat and light we'll remember DON'T FORGET TO BREATHE as a threshold.”—William Fuller

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Edges of Water by Maureen Owen
Edges of Water by Maureen Owen

“In a land where FEELINGS shared is a transgression, we get propelled onward! If Elizabeth Murray’s promise that the subconscious is what we paint about, then Maureen Owen’s promise is by the poems. Always there first, as Freud said, ‘Where I go I find a poet has been there before me.’ Imagine Sigmund meeting up with the latest Owen book. ‘We think we look back / we just look outside / surface that is a state / of meringue / holiness that is a condition independent / of deity….'”—CA Conrad

Maureen Owen is editor of Telephone Books and author of over ten poetry collections, including American Rush, a Los Angeles Times Book Prize finalist, and AMELIA EARHEART, a recipient of the American Book Award. Formerly co-director of the Poetry Project, she now lives in Denver and teaches at Naropa University. Most recently, she is the author of EDGES OF WATER (Chax Press, 2013).

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Entangled Bank, by James Sherry
Entangled Bank, by James Sherry

Entangled Bank, by James Sherry.
Poetry. ISBN 978-0-9862640-8-5. 90 pages. Published November 1, 2016.

Entangled Bank opens with a set of five line poems dedicated to the “beauty” of various poets, a nuanced and generous version of Joseph Kaplan’s infamous Kill List, and concludes with a wrenchingly honest prose piece on Sherry’s correspondence with the late poet Stacy Doris on the limits of empathy. Between these gestures towards a troubled yet significant human connection, Sherry places poems in a variety of styles, as if styles were species in an ecosystem, a veritable “entangled bank.” Often he writes with scathing wit on the degradation of the environment and the fraudulence of the financial system. One line admonishes, “Wake up, this is about you.” And it is. You’re going to want it. — Rae Armantrout

Taking his theme from Darwin’s “entangled bank,” James Sherry pries open present life on the planet to reveal a tangled flow of vegetation, money, politics, beauty, selves, distributed networks, fish, nation states, death and friendship. “Couching nature as bundles and linkages,” he does not side-step the perils of hybridity but dives in head first: “Tamales of Sparta rolled global.” A dazzling display of formal invention leads up to an intimate, brutally candid chronicle of friendship and illness that is as clear-headed as it is passionate. And how can you not love a poem called “Memoir” that begins, “Dawn again / Fuck!” — Kit Robinson

Unbeauty will take you about as far as you can throw it, appeasing no one and nothing, all for good measure. James Sherry does not beware of entangling alliances, he foments them. — Charles Bernstein

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Erased Art by Tenney Nathanson
Erased Art by Tenney Nathanson

Tenney Nathanson is the associate Professor of English at the University of Arizona. He has written three books of poetry. Chax published a full-length collection of Nathanson’s poetry Erased Art (Chax, 2004).

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Exit Moonshine, Enter Wall by Rodney Phillips
Exit Moonshine, Enter Wall by Rodney Phillips

PubDate: 5/2012

Exit Moonshine, Enter Wall

Rodney Phillips

ISBN: 9780925904942

Price: $17.00

Genre: Poetry

Pages: 70

What is so diabolical about weather and classical music?

What happens when one grabs a contribution from Gertrude Stein?

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Float
Float, by David Abel

PubDate: 5/2012

Float

David Abel

ISBN: 9780925904294

Price: $17.00

Genre: Poetry

Pages: 144

“This stunning, wry collection is a tonic, triggering memory and the knowledge that we all enter poems in medias res—from anywhere. Rhythmic fragments or grand paragraphs, FLOAT becomes its own mixing board. At times you hear it almost disappear, then reappear as ‘total sound.’ In a long poem titled ‘Times of Day,’ one vertical, vital string, the words ‘Zoo / Cage / Jazz’ track to John Cage because of interventions earlier in the book, a startling elegy within and without. Cooked or raw, from the title to the end notes, possibilities abound. Alluring, captivating, it’s a must-read!”—Norma Cole

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Flow-Winged Crocodile & A Pair/Actions Are Erased/Appear by Leslie Scalapino
Flow-Winged Crocodile & A Pair/Actions Are Erased/Appear by Leslie Scalapino

PubDate: 7/2010

Flow–Winged Crocodile & A Pair/Actions Are Erased/Appear

Leslie Scalapino

ISBN: 9780925904935

Price: $16.00

Genre: Drama

Pages: 117

“For myself and the cast, directing Leslie Scalapino's FLOW has been an extraordinary journey into language and the language in breath, the rhythms of effort to say as precisely as her savage delicacy of thought, her forcing us all to assume nothing in examining the fineness of our implication in each other”–Fiona Templeton.

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FOUR FOR GLENN by Nathaniel Mackey
FOUR FOR GLENN by Nathaniel Mackey

PubDate: 1/2002

FOUR FOR GLENN

Nathaniel Mackey

ISBN: NO ISBN

Price: $16.00

Genre: Poetry

Pages: 24

This new collection of four poems, including new work from Mackey's ongoing The Song of the Andoumboulou, is a lyrical homage to the jazz saxophonist Glenn Spearman. Like much of Mackey's work, these poems reside at the limits of language and song, where “immanence and transcendence meet, making the music social as well as cosmic, political and metaphysical as well” -Mackey, DISCREPANT ENGAGEMENT. “In addition to its romantic and lyric qualities, Mackey's work is an immediate encounter with an intense blending of knowledges, mythology, poetic insight and histories from every continent”-Chris Funkhouser. Saddle-stitched chapbook.

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Get Serious: New & Selected Poems by Jefferson Carter
Get Serious: New & Selected Poems by Jefferson Carter

Jefferson Carter directs the Writing and Literature Program, and teaches developmental composition and poetry writing at Pima Community College, Downtown Campus. His eight books of poetry include Litter Box (Spork Press, 2004), SENTIMENTAL BLUE (Chax Press, 2007), MY KIND OF ANIMAL (Chax Press, 2010), and GET SERIOUS: NEW & SELECTED POEMS (Chax Press, 2013). He has lived in Tucson, Arizona, since 1954. He has won a Tucson/Pima Arts Council Literary Arts Fellowship, and his poems have appeared in such journals and e-zines as Carolina Quarterly, CrossConnect, 2River View, and Barrow Street. His chapbook Tough Love won the Riverstone Poetry Press Award.

$ 15.00 Add to cart
Ghost Snow Falls Through the Void (Globalization) by Tenney Nathanson
Ghost Snow Falls Through the Void (Globalization) by Tenney Nathanson

PubDate: 4/2010

Ghost Snow Falls Through the Void (Globalization)

Tenney Nathanson

ISBN: 9780925904881

Price: $17.00

Genre: Poetry

Pages: 130

“In GHOST SNOW FALLS THROUGH THE VOID (GLOBALIZATION), Tenney Nathanson by abandoning conventions of presentation to glimpse animate nature of being invents wonderful links (passages in a dated sequence) as incredibly funny morphs of actual life/ suffering/death instances. Nathanson's inserted accounts of daily life such as war on Iraq are his versions of Spicer's notion of the poet taking dictation from the radio. As we read we discover that the multitudes of faces and voices as if funny black holes that flow and morph into Walt Whitman, Cheney, or Orpheus as Tenney singing, like the quicksilver terminator in Terminator 2 flowing into then arising from linoleum, are a stream form of his Zen practice as merely unexpected occurrences”–Leslie Scalapino.

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