“STEALTH, this reeling motet, feels like a Tarkovsky film, all of them strung together, about the end of the world, these poems continuously spilling themselves into other spaces ad infinitum. And giving us a tiny window on that. It feels like a shell-game. Friendship and language. STEALTH is excited and joyous, while dying, dragging one’s tired ass through a desert, hallucinating. It feels like The Waste Land but the footnotes are fun. STEALTH is more boy than girl. I don’t think Philip Marlowe, I think of Philip Whalen with a pilot’s silk scarf tied around his neck. Man or a girl’s doll. These multiples never get solved, only raised here. I think I mean that stealth is simply the past tense of steal or living finally with everything you stole—living well in a paradise of your own.”—Eileen Myles
Samuel Ace has published widely in periodicals and journals, including Ploughshares, Eoagh, Nimrod, The Prose Poem, an International Journal, and the Kenyon Review. He is the author of two collections of poetry: Normal Sex (Firebrand Books) and Home in three days. Don’t wash. (Hard Press). He is a two-time finalist for a Lambda Literary Award in Poetry, a recipient of a New York Foundation for the Arts grant, winner of the Astraea Lesbian Writer’s Fund Prize in Poetry, The Katherine Anne Porter Prize for Fiction and the Firecracker Alternative Book Award in poetry. He lives in Tucson, AZ, and Truth or Consequences, NM. Maureen Seaton‘s recent publications include a collaboration with Neil de la Lor, SINÉAD O’CONNOR AND HER COAT OF A THOUSAND BLUEBIRDS (Firewheel Editions, 2011), her sixth solo poetry collection, Cave of the Yellow Volkswagen (Carnegie Mellon University Press, 2009) and a memoir, Sex Talks to Girls (University of Wisconsin Press Living Out Series, 2008), winner of the Lambda Literary Award. Her previous collections include Venus Examines Her Breast (Carnegie Mellon University Press, 2004), winner of the Publishing Triangle’s Audre Lorde Award; and Furious Cooking (University of Iowa Press, 1996), winner of the Iowa Poetry Prize and the Lambda Literary Award. She is co-editor, with Denise Duhamel and David Trinidad, of Saints of Hysteria: A Half-Century of Collaborative American Poetry (Soft Skull Press, 2006). Her solo and collaborative work has appeared in The Atlantic, The New Republic, The Paris Review, Prairie Schooner, Bloom, and elsewhere. The recipient of an NEA fellowship in poetry and two Pushcart Prizes for individual poems, Seaton teaches poetry at the University of Miami, Florida.