Chax Bundle of 13
One of the new offerings from Chax, A Bundle of Books at Significant Savings to our Great Readers
Looking to jump into Chax? Now we offer you a great way to do it. Please keep coming to our site for a new bundle or two every month.
13 books at a special discount. The average price of these books is more than $17, but here you can have all 13 for just $100 (less than $8 per book) plus shipping. This is a limited time offer that will expire at the end of February 2018. Links below lead to the regular product pages for the books, with more information about the book. But you must return here to purchase this bundle at the discounted price.
Ted Pearson, An Intermittent Music
Kit Robinson, Leaves of Class
James Sherry, Entangled Bank
Ben Hollander, The Letters of Carla
Sarah Riggs, Waterwork
Will Alexander, Inside the Earthquake Palace
Michael Gottlieb, What We Do
Gil Ott, arrive on wave
Linh Dinh, ed.and trans., The Deluge
Gaspar Orozco, Autocinema
Leonard Schwartz & Simon Carr, Salamander
Alice Notley, Reason & Other Women
Susan Thackrey, Andalusia
What We Do: Essays for Poets, by Michael Gottlieb
Poetry/Essays/Literature 122 pages
How do we live our lives as poets?
In these three critical essays, plus an afterword, Michael Gottlieb addresses issues faced by us all, even if we are not poets or artists. Michael Gottlieb is the author of nineteen books including most recently, I Had Every Intention, Dear All, and Memoir and Essay, the authoritative recounting of the early days of the Language school. He was one of the editors of Roof, the foundational 1970s and 80s poetry magazine. A number of his works have been adopted for the stage, including his definitive 9/11 poem, The Dust, hailed by Ron Silliman as one of the “five greatest Language poems.” The Dust was stages by fiona Templeton and company at the Poetry Project at St. Marks on the tenth anniversary of 9/11.
Learn what it is to be a poet, what it takes, in order to grasp and live in the art and the life. One essential need is listening. For Gottlieb, “I am still at least somewhat capable of taking the first step when it comes to doing what we do as poets, that is: listening.”
Traffic by Gil Ott
Traffic by Gil Ott. CHAX edition.
“As an architect of the gap, Gil Ott provides many doors whereby this place may be entered and whereby you may encounter and be part of the ‘traffic’ of that occurrence. It’s not a house of many mansions, but it is poetry, a place which may not take place unless you enter. So: a different sort of gesture, one of welcome invitation. Think it over. What have other hands offered you lately?” – John Taggart
The Deluge by Linh Dinh, Editor & Translator
Edited and translated from the Vietnamese by Linh Dinh. “Carefully selected for their literary significance as well as their antagonism towards state power, cultural orthodoxy and conventional wisdom, the hundred and sixty Vietnamese-language poems annotated, contextualized and expertly translated into English in THE DELUGE provide a stunningly original (counter) history-in-fragments of Vietnamese society from the 1960’s up till today. While Linh Dinh is typically known for his extraordinary poetry, fiction and journalism, THE DELUGE showcases his remarkable talents as a translator, anthologist and cultural historian. I love everything about this book: the sneaky-smart selections, the illuminating yet ruthlessly efficient author-bios, the fascinating addendum and, of course, the absurdly brilliant translations.”—Peter Zinoman
The Form of Our Uncertainty: A Tribute to Gil Ott by Kristen Gallagher, Editor
This book also features interviews and responses by: Ammiel Alcalay, Charles Alexander, Bruce Andrews, Anonymous, Julia Blumenreich, Craig Czury, Rachel Blau DuPlessis, Norman Fischer, Kristen Gallagher, Eli Goldblatt, Karen Kelley, Kevin Killian, Hank Lazer, Andrew Levy, Chris McCreary, Toby Olson, Bob Perelman, Leslie Scalapino, Kerry Sherin, Ron Silliman, Heather Starr, Chris Stroffolino, and Mark Wallace.
Who Do With Words, by Tracie Morris
Nonfiction/Creative Essay ISBN 978-1-946104-12-0 116 pages $17.00
Advance sale price $15 until March 13. Book orders filled starting March 13.
With hip talk and logic, Morris lays some shine on the be in our being as Black folk, writes us a love song for our lingo and a manifesto for making it plain. She asks all of us to flip the script with finesse, to hold the bullshit of public discourse to a flame and make art from the funky embers. Finally, a philosophy we can get down to. Like a quilt full of codes to crack and spill. Like a cowrie on the divination board of Black genius.
— Yolanda Wisher, Poet, Bandleader, Curator of Spoken Word, Philadelphia Contemporary, author of Monk Eats an Afro and third poet laureate of Philadelphia
In Who Do With Words, poet, performer and critic Tracie Morris joyfully and instructively blerds out in her love letter to and lecture on Black speech acts. Riff-reading as philosophizing, she dialogues with J. L. Austin, Samuel R. Delany, and many others, dropping serious science in the process. A pocket-sized delight, and she keeps it tight!
— John Keene, Professor and Chair of African American and African Studies, Rutgers University–Newark
Jam Alerts by Linh Dinh
“Linh Dinh is one of the most consistently surprising writers around. One can find sources & roots for his writing, explain the traces of surrealism through the presence, say, of the French in Vietnam (tho they were driven out a decade before he was born), note that he is hardly the only good or successful Vietnamese American poet, let alone the only poet to come from a working class background, yet he is not writing ‘about’ or even ‘toward’ nor ‘from’ any one of these contexts so much as he is through them—they are lenses, filters, that condition his perspective on everyday life. Imagine what any other poet with this strong a sense of form would have had to become in order to write such poetry. Ted Berrigan, for example. Berrigan shares Linh’s class background, which enables him to be as ruthless in a different way as Linh is in his. But the comparison stops there. Linh is writing straightforward poetry, but from a perspective shared by almost no one else. This kind of exile is far deeper than mere geography…you can feel Linh’s deep loneliness on every page & realize that there are aspects of his poetry that you can’t find anywhere else. We probably haven’t had a writer this singular since the death of William Burroughs.”—Ron Silliman
Linh Dinh was born in Saigon, Vietnam in 1963, came to the US in 1975, and has also lived in Italy and England. He is the author of two collections of stories and four books of poems. His work has been anthologized in Best American Poetry 2000, Best American Poetry 2004, Best American Poetry 2007 and Great American Prose Poems from Poe to the Present, among other places. Linh Dinh is also the editor of the anthologies Night, Again: Contemporary Fiction from Vietnam (Seven Stories Press, 1996) and Three Vietnamese Poets (Tinfish, 2001), and translator of Night, Fish and Charlie Parker, the poetry of Phan Nhien Hao (Tupelo, 2006). Blood and Soap (Seven Stories Press, 2004) was chosen by the Village Voice as one of the best books of 2004. His poems and stories have been translated into Italian, Spanish, German, Dutch, Portuguese, Japanese and Arabic, and he has been invited to read his works all over the US, London, Cambridge and Berlin. He has also published widely in Vietnamese. He lives in Philadelphia. His works from Chax Press are AMERICAN TATTS (2005), JAM ALERTS (2007), and SOME KIND OF CHEESE ORGY (2009).
MANTIS, by David Dowker
MANTIS, by David Dowker
POETRY / LITERATURE $17 US / 64 pages / published 2018
The other that enters the text maintains its iridescence “through multiple woof” (and tweet or twitter) ambigrammatical basically a reading “all resin fled” this or that which verbals at the interstices ratiocinates and conjugates erasure valence emergent impetus on the verge of blur “mantid being” a gloss from the given harmonics.
To explore Mantis is to explore language as organic material in formation, information as material. The work is bit-mined, one might say, from The Maintains by Clark Coolidge, taking as rudiment processes of jazz improvisation, particularly as practiced by musicians who may take a single step, and then follow where that step leads. To follow Mantis where it leads is to enter the forest, the cavern, the word hoard, and to find oneself as “light” or “as rose,” and to cross that place into a realm of creative possibility, where the final “as if” may mean open to everything.
What’s the Title? TITLE
What’s the Title? TITLE, by Serge Gavronsky
The title is TITLE. What’s the title? TITLE. That means the book is the book, or “A” book, and implies that the book questions itself along the way, or perhaps just makes a lot of leaps, flops, and fade-away hook shots, though all is not in cinders. But life and words manage to burn, and if you burn too, it might be for thirst of knowledge, and you will at least have a chance to quench such thirst if you read this book, if you attempt to understand the nature of a title. You are Odysseus, and you’re trying to get home, or toward another goal, and you need a few challenges along the way; or, you’ll get them whether you need them or not.
No more silence of memory! Because you will need your memories, even as you begin to lose them. But letters hold the prospect of words, and words of sentences, sentences of paragraphs, paragraphs of chapters, and chapters of books. And what is it that a book needs? TITLE. If all the dates are her favorites, she still wants to look at a calendar, and if she misses one, or two, she needs a reminder. Or she needs to pour herself a shot of calvados. Calvados or calvary, or cavalry. Oh my avocadoes! On sunny days, he had that certitude, but Auschwitz and Dachau happened nevertheless. Half of the country was bombed out, but the afternoons kept and keep coming. And one day you will remember (or not, or who will?) that a violinist was needed for a marriage of American history to its right political place. There is no language without speech, there is no Olivetti without a green cover. Too green in the land of pairs of graphs. Life is touching each other, and may have no intertextualities. Or all may be so.
This is that book This is TITLE!
— Charles Alexander