Chax Bundle of 13
One of the new offerings from Chax, A Bundle of Books at Significant Savings to our Great Readers
Looking to jump into Chax? Now we offer you a great way to do it. Please keep coming to our site for a new bundle or two every month.
13 books at a special discount. The average price of these books is more than $17, but here you can have all 13 for just $100 (less than $8 per book) plus shipping. This is a limited time offer that will expire at the end of February 2018. Links below lead to the regular product pages for the books, with more information about the book. But you must return here to purchase this bundle at the discounted price.
Ted Pearson, An Intermittent Music
Kit Robinson, Leaves of Class
James Sherry, Entangled Bank
Ben Hollander, The Letters of Carla
Sarah Riggs, Waterwork
Will Alexander, Inside the Earthquake Palace
Michael Gottlieb, What We Do
Gil Ott, arrive on wave
Linh Dinh, ed.and trans., The Deluge
Gaspar Orozco, Autocinema
Leonard Schwartz & Simon Carr, Salamander
Alice Notley, Reason & Other Women
Susan Thackrey, Andalusia
Rechelesse Pratticque by Karen Mac Cormack
RECHELESSE PRATTICQUE, by Karen Mac Cormack
Innovative Poetry / Visual Poetry / ISBN 978-1-946104-13-7
Karen Mac Cormack’s new work, in a large page format, explores the limits of poetry’s ability to visually stun, to go “as far as the eye can reach.”
from Queue 26:
helter skelter while you’re at it peninsula
to jeopardize out of date
adventure permanent permission
a search warrant
I’m not at home to anybody
as far as the eye can reach
relevant disturbance weigh your words carefully
phenomenon heads or tails to show someone the way
a turning point in history
everything is done on the premises
A Mere Rica, by Linh Dinh
Poetry/Literature, including an interview with Linh Dinh. ISBN 9781946104045. 234 pages.
Getting back to the theme of writing from the outside, I published this in the American Poetry Review in 2004, “I’ve come to realize that I much prefer to live on the periphery of the English language, so that I can steer clear of the tyranny of its suffocating center. In this sense, I am a quintessential American. A Unapoet, I like to homestead just beyond the long reach of Washington […] Hearing the rapid syllables of a foreign language, a bigot is infuriated because he’s reduced to the status of an infant. Poets, on the other hand, should welcome all opportunities to become disoriented. To not know what’s happening forces one to become more attentive and to fill in the blanks. Hence, poetry.” (Linh Dinh, from the Interview with Tahseen Alkhateeb)
Linh Dinh is the author of five previous books of poems, plus two collections of short stories, a novel and a non-fiction account of the economic, social an political unraveling of the USA, Postcards from the End of America (Seven Stories Press 2017). His political essays are regularly published at Unz Review and other webzines.
Andalusia by Susan Thackrey
ISBN: 9780986264030 (pbk.) 9780986264047 (hardcover, casebound in dust jacket)
Price: $17.00 (pbk.) $75 (hardcover)
Susan Thackrey, a poet who lives and works in San Francisco, began to compose poetry at the age of three. She was an inaugurating student in the Poetics Program at New College in San Francisco in 1980, and studied with Robert Duncan and Diane di Prima formally and informally over a number of years. Thackrey has given invitational lectures on Robert Duncan, Charles Olson, and George Oppen, including as a keynote speaker at the George Oppen Conference in Buffalo, and most recently on Duncan’s The H.D. Book for the San Francisco Poetry Center. Since reading Homer in Greek over a five year period with Robert Duncan and some of her poet contemporaries, an important and lively part of her life in poetry has almost always included variously focused and long-lived reading groups with other poets.
Her day jobs have included co-founding and managing the art gallery Thackrey and Robertson in San Francisco, as well as her current work as a Jungian analyst in the C.G. Jung Institute of San Francisco. There she has taught, spoken, and published, focusing especially on art, recently publishing a talk and essay on Jung’s paintings for The Red Book: Reflections on C.G. Jung’s Liber Novus (Routledge).
Her poems have appeared in a number of journals, including Five Fingers, Hambone, Talisman, Traverse, and Volt. Current books in print, in addition to Andalusia, are Empty Gate (Listening Chamber), and George Oppen: A Radical Practice (O Books and The San Francisco Poetry Center).
What We Do: Essays for Poets, by Michael Gottlieb
Poetry/Essays/Literature 122 pages
How do we live our lives as poets?
In these three critical essays, plus an afterword, Michael Gottlieb addresses issues faced by us all, even if we are not poets or artists. Michael Gottlieb is the author of nineteen books including most recently, I Had Every Intention, Dear All, and Memoir and Essay, the authoritative recounting of the early days of the Language school. He was one of the editors of Roof, the foundational 1970s and 80s poetry magazine. A number of his works have been adopted for the stage, including his definitive 9/11 poem, The Dust, hailed by Ron Silliman as one of the “five greatest Language poems.” The Dust was stages by fiona Templeton and company at the Poetry Project at St. Marks on the tenth anniversary of 9/11.
Learn what it is to be a poet, what it takes, in order to grasp and live in the art and the life. One essential need is listening. For Gottlieb, “I am still at least somewhat capable of taking the first step when it comes to doing what we do as poets, that is: listening.”
An Intermittent Music 1975-2010, by Ted Pearson
An Intermittent Music 1975-2010, by Ted Pearson
ISBN 9780986264092. Poetry. $24.
O! learn to read what silent love hath writ:
To hear with eyes belongs to love’s fine wit.
An Intermittent Music luxuriously shows us the capaciousness of Ted Pearson’s work—surprising, perhaps, given what may have appeared to be a minimalist tack. We see that Pearson’s has always been a long game, no matter the exacting finesse of its close negotiations. The poems obey an abiding fidelity to the intervallic sway whereby capacity does indeed accrue, one suture, one synapse, at a time. This is desert island work, to be savored and to be returned to again and again.
— Nathaniel Mackey
Over the course of thirty-five years, Ted Pearson has been incrementally publishing a masterpiece, present here before us at last within the covers of this book as An Intermittent Music. He describes it as “a serial work comprising eighteen books in four movements,” and it is therefore possible to situate it alongside key serial works by poets like Jack Spicer, George Oppen, Robert Creeley, Leslie Scalapino, and Barrett Watten. As is true of work by all of these (otherwise very different) poets, the parts of An Intermittent Music resonate within an evolving dialectic, intentionally avoiding a final chord. Writing poetry that is intensely bound to both song and intellect, Pearson has been ever alert to matter in its infinite detail, to social as well as erotic desire, to liminal identities, and to the circulating systems of idiom and opinion that construct the social spaces we inhabit. This magnificent work begins almost plaintively, building to the great crescendo of its end. An Intermittent Music tracks Pearson’s ever-expanding attention to the ever-increasing associative complex that is lived experience. By the end of the book, the music is impossible and the music is everywhere, generating exquisite, ubiquitous suspense. This is a book to read avidly and over and over again.
— Lyn Hejinian
Flow-Winged Crocodile & A Pair/Actions Are Erased/Appear by Leslie Scalapino
Flow–Winged Crocodile & A Pair/Actions Are Erased/Appear
“For myself and the cast, directing Leslie Scalapino's FLOW has been an extraordinary journey into language and the language in breath, the rhythms of effort to say as precisely as her savage delicacy of thought, her forcing us all to assume nothing in examining the fineness of our implication in each other”–Fiona Templeton.
The Hero by Hélène Sanguinetti
The Hero, by Hélène Sanguinetti, translated by Ann Cefola
Sanguinetti takes on the archetype of the hero from every angle—at times many simultaneously—and in a language itself heroic in its leaps and shifts and its inventive riffs that tap into ambient legend, with its steaming horses, epic journeys, and, of course, battle. Volatile style, startling content, super-charged tone—Cefola captures them all in her splendidly nuanced translation, a rare case in which nothing at all is lost, and the English language gains a powerful and beautiful book.
THE HINDRANCES OF A HOUSEHOLDER hand-colored edition
CHAX PRESS announces THE HINDRANCES OF A HOUSEHOLDER, by Jennifer Bartlett
Poetry. Literature. $50.00.
The author/artist, Jennifer Bartlett, has hand-colored several copies of this book which includes a few drawings. These books are being offered to the public for $50, $35 of which goes directly to the author/artist.
Jennifer Bartlett writes, “a word here, a word there,” yet, somehow, never manages to write like anyone else. These poems concern themselves with the messiness of relationships and how those relationships operate in both real and fanciful worlds. Her poems comment on one another, on themselves, and on this fascinating character named Jennifer who weaves in and out of the poems. She writes about swimming pools, sex, neurology, the duality of names, and friendship. Along the way she offers no hindrances for the reader. Instead this book shows poems by a poet writing at her joyful, dizzy best. —Mike James, author of Crows in the Jukebox and My Favorite Houseguest